Today’s guest is Bethany C. Morrow author of MEM releasing in May from Unnamed Press. Bethany graduated from the University of California, Santa Cruz with a BA in Sociology (but took notable detours in the Film and Theatre departments). Following undergrad, she studied Clinical Psychological Research at the University of Wales, in Great Britain before returning to North America to focus on her literary work. Bethany joins host Mindy McGinnis to talk about her query process, as well as writing in a post-election world as a black woman, and the concern that minority authors need to be looking for agents that want to represent them for a long-term career, not just as a response to a trend and whether or not white writers should attempt to write main characters of color, and the difference between that and being inclusive in your writing.

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Freya’s Daughter by Rachel Pudelek 

Fat Girl On A Plane by Kelly DeVos

Today’s guest is Mindee Arnett author of THE NIGHTMARE AFFAIR series, the Sci Fi titles AVALON and POLARIS as well as the upcoming fantasy ONYX & IVORY. Mindee joins host Mindy McGinnis to talk about rejection letters – both physical and by email – and realigning expectation with reality once you become published. Also covered: how being a mid-lister can be a benefit when it comes to genre jumping and how to know when you’re researching too much.

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Nothing But Sky by Amy Trueblood

Heartseeker by Melinda Beatty

Today’s guest is Beth Revis author of New York Times bestselling ACROSS THE UNIVERSE trilogy, as well as THE BODY ELECTRIC, THE WORLD WITHOUT YOU and The Paper Hearts series for writers. Beth joins host Mindy McGinnis to talk about writing ten books before hitting it big with the eleventh one, receiving nothing but rejections for a decade… and how that made her a better writer.

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A VOID THE SIZE OF THE WORLD by Rachele Alpine

DOLL HEARTS by Colleen Clayton

Today’s guest is Jenny Martin author of the Sci Fi YA Novels TRACKED and MARKED. Jenny joins host Mindy McGinnis today to talk about the importance of critique partners – how to find them, how to treat them, and how to keep them, as well as writing for the sake of writing, instead of for the sake of being published. 

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KISS ME KILL YOU by Larissa C. Hardesty

SOMEDAY, SOMEWHERE by Lindsay Champion