Jeff Lindsay - author of the Darkly Dreaming Dexter series, which was adapted for Showtime as the hit show Dexter - talks about the much-hated series finale, its return, and his new series featuring another anti-hero, Riley Wolfe.
Today's guest is William Schreiber, William’s novel, Someone to Watch Over, won the 2019 Rising Star award from the Women’s Fiction Writers Association. The novel is based on his original screenplay, which has won or been nominated for many awards, including the Academy of Motion Picture Arts and Sciences’ Nicholl Fellowship in screenwriting.
Links for Bill:
Today’s guest is Maram Taibah, a fantasy writer, born in Montreal, Canada. She was raised in Riyadh, Saudi Arabia, which, at times, was the most unimaginative place. This pushed her to escape into books at a very early age and from there into the craft of storytelling. Her most recent publication is the children's steampunk book Weathernose. Maram is not only a fiction writer but also a screenwriter and filmmaker. In 2014 she made her first short film Munkeer and in 2016, Don’t Go Too Far, both of which were screened at the Cannes Short Film Corner. Maram joined me today to talk about how screenwriting can help you become a more concise novelist, as well as her three tips for world building.
Links for Maram:
Kelly DeVos Day Zero: https://amzn.to/2NkkL9j
Andrea Hannah A Map for Wilds Hearts: https://amzn.to/3a6ZXMi
Today’s guest is Robert Mellette who has written, directed, designed and acted in theatre, film and television for over 30 years. His credits in various jobs include XENA: WARRIOR PRINCESS, BLUE CRUSH, and his own JACKS OR BETTER, which won Dances With Films Best Screenplay award in 2000.Robert's novel, Billy Bobble Makes a Magic Wand, is available on Amazon from Elephant's Bookshelf Press. For novelists, Robert blogs for From The Write Angle.
Robert joins host Mindy McGinnis to talk about how working in film and television taught him skills that translated over to novel writing, and how working with small, indie publishers can be beneficial, writing your story for the sake of the story, not a micro-targeted audience, and advice for aspiring writers on how to process critiques without sacrificing their voice.