Episodes
Monday May 13, 2019
Monday May 13, 2019
Today’s guest is Katya de Becarra, who was born in Russia, studied in California, lived in Peru, and then stayed in Australia long enough to become a local. She was going to be an Egyptologist when she grew up, but instead she earned a PhD in Anthropology and now works as a university lecturer and a researcher. Her debut What The Woods Keep was released in three countries in 2018. Katya joined me today to talk about blending genres in her debut title, and how she managed to find a publisher that believed it was a strength, rather than a marketing weakness, writing in your non-native language, and how Katya made the decision to write her novels in English.
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Links for Katya:
Website: http://katyabecerra.blogspot.com/
Twitter: https://twitter.com/KatyaDeBecerra
IG: https://www.instagram.com/katyadebecerra/
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Monday Aug 20, 2018
Monday Aug 20, 2018
Today’s guest is Lamar Giles, a two-time Edgar Award finalist for his YA thrillers FAKE ID and ENDANGERED His third YA thriller, OVERTURNED received a glowing New York Times review. Lamar is a contributor to the YA anthology THREE SIDES OF A HEART and the editor of the forthcoming We Need Diverse Books YA short story anthology FRESH INK.
Lamar joins host Mindy McGinnis to talk about the over confidence he had as a young writer, and how he took the time to reflect on 8 years worth of rejection before landed his agent in 2010 with his sixth novel. Also covered: diversity in publishing and how genre writing can be looked down upon, and the complexities of writing a book set in a city you are unfamiliar with, and how research can help you get… most things… right.
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Monday Aug 06, 2018
Writing In The Mystery Genre With Lori Rader-Day
Monday Aug 06, 2018
Monday Aug 06, 2018
Today’s guest is Lori Rader Day, winner of both the Mary Higgins Clark Award and the Anthony Award. Lori joins host Mindy McGinnis to talk about the work that goes into a novel before you ever query it, the benefits of joining professional writing organizations, as well as the moving rung of what we deem success after being published. Also covered: how genre writing can be looked down upon, and how genre tags can build walls between readers and books they might enjoy.
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